If you can push paint around with a brush then you can make unique one-of-a-kind prints. The class will first focus on monotype printmaking using Akua inks and water-soluble crayons. Midway through the session, we will begin to use a non-toxic  technique to make etchings. These can be printed on their own or combined with...more » Printmaking at Railyard: Monotype and Intaglio with Anthony Kirk

In this workshop we will create repeatable drypoint plates that can be inked and rolled using color monotype methods.  To warm-up on the first day we will begin with guided mark-making experiences which will serve as the basis for making drypoint lines into plastic plates. These plates will be inked in an intaglio manner and printed...more » Drypoint and Color with Akua Demo Artist Joyce Silverstone

Learn exciting printmaking techniques using non-toxic methods. Multi-colored original prints will be created using methods like relief blocks, image transfers, monotypes, drypoints, and silk aquatints. Most techniques can be printed without a press and replicated at home. (10 meetings, each Tuesday across dates listed)

This two-day semi-private workshop in my Portland studio covers the various steps of the Encaustic Collagraph technique that I pioneered, more from a painter's point of view. You will learn some basic rudiments of encaustic and then we will dive in using various common tools of the medium. A comprehensive demonstration will cover applying the...more » ENCAUSTIC COLLAGRAPH COMPREHENSIVE with MONOTYPE & DRYPOINT WITH ELISE WAGNER

Contact artist, Amanda Barrow for details at amanda@amandabarrow.net

This two-day workshop explores creating encaustic collagraph plates from Ampersand clay boards and printing onto Japanese and Encaustiflex papers. This semi-private workshop in my Portland studio pushes past the Encaustic Collagraph Printmaking technique that I pioneered, breaking the rules some more, this time with printmaking! You will learn some basic encaustic towards mark making and...more » Encaustic Collagraph Methods: Exploring Alternate Printing Plates and Papers

This two-day workshop explores creating encaustic collagraph plates from Ampersand clay boards and printing onto Japanese and Encaustiflex papers. This semi-private workshop in my Portland studio pushes past the Encaustic Collagraph Printmaking technique that I pioneered, breaking the rules some more, this time with printmaking! You will learn some basic encaustic towards mark making and...more » Encaustic Collagraph Methods: Exploring Alternate Printing Plates and Papers with Elise Wagner

This two-day workshop explores creating encaustic collagraph plates from Ampersand clay boards and printing onto Japanese and Encaustiflex papers. This semi-private workshop in my Portland studio pushes past the Encaustic Collagraph Printmaking technique that I pioneered, breaking the rules some more, this time with printmaking! You will learn some basic encaustic towards mark making and...more » Encaustic Collagraph Methods: Exploring Alternate Printing Plates and Papers

This two-day semi-private workshop in my Portland studio covers the various steps of the Encaustic Collagraph technique that I pioneered, more from a painter's point of view. You will learn some basic rudiments of encaustic and then we will dive in using various common tools of the medium. A comprehensive demonstration will cover applying the...more » Encaustic Collagraph Printmaking with Elise Wagner