This two-day semi-private workshop in my Portland studio covers the various steps of the Encaustic Collagraph technique that I pioneered, more from a painter's point of view. You will learn some basic rudiments of encaustic and then we will dive in using various common tools of the medium. A comprehensive demonstration will cover applying the...more » ENCAUSTIC COLLAGRAPH COMPREHENSIVE with MONOTYPE & DRYPOINT WITH ELISE WAGNER

EXPLORING MONOTYPE CLASSES (each session is 6 weeks long) Thursdays, 9:30 – 12:30pm, ALL SKILL LEVELS Medium - Printmaking, Akua Ink, Monotype/Monoprint, Non-toxic Printmaking Supply Fee: $20 per session, cover tools, plate, inks. Basic paper will be furnished. Other papers will be discussed in the first class. Plunge into Monotype! Broaden your artistic horizons with...more » Monotype: Consider the Possibilities with Judy Just

Layers of color on a single printing plate make gorgeous monotypes and monoprints. Learn how to modify Akua Intaglio inks for a myriad of effects. Modifying the viscosities of inks leads to results unachievable any other way. Just as peanut butter will not stick to jelly, a loose ink will reject a stiff ink. This...more » Ink Interaction: Making the Most of Akua Intaglio Inks with Catherine Kernan, guest artist at Susan Rostow’s Brooklyn Studio

Esther S. White Saturday & Sunday, January 11-12, 2020, 10-5 $285 non-member, $255 members $35 materials fee Collagraph: A combination of the words “collage” and “graphic” to describe a print made from a matrix built with collage materials and methods. Collagraphs can be richly textured with a deep emboss and high contrast; they can also...more » Texture and Shape: Collagraph from Found Objects and Recycled Materials with Esther White